Diane, This Is What Dale Cooper Looks Like Now

Kyle MacLachlan reprises his role as FBI Special Agent Dale Cooper in Twin Peaks, the 18-part continuation of the original series starting Sunday, May 21, at 9 p.m. on Showtime.

Okay, here’s where it gets complicated: The series debuts with a two-parter, followed by episodes three and four the following weekend. and then going to one-hour installments from then on. However, immediately following the May 21 premiere, Showtime Anytime and Showtime On Demand will offer parts three and four.

Well, I guess we shouldn’t expect just any old broadcast format from David Lynch

TWIN PEAKS Revival: There Will Be Donuts

Showtime still has not set a premiere date for its revival of TWIN PEAKS, but it did release a little teaser that assures fans that the new miniseries will  maintain the spirit of the original.

Check out series co-creator and director David Lynch reprising his role as FBI Regional Bureau Chief Gordon Cole…

Why is the entire promo just Lynch eating a donut?

Because f*ck you — that’s why!

It’s David Lynch and it’s TWIN PEAKS and it’s pure genius, so deal with it.

TWIN PEAKS Gets Official Green Light at Showtime

A sequel series to TWIN PEAKS, one of the greatest-yet-flawed TV serials of all time, has officially been approved by premium cable network Showtime. It will be set in the present and continue the original storyline 20 years later.

All nine episodes will be written by original creators David Lynch and Mark Frost, with Lynch directing each installment. There is no word on casting, but it would hard to imagine to any sequel without Kyle MacLachlan‘s Special Agent Dale Cooper. And Laura Palmer (Sheryl Lee) did promise Dale she would see him again in 25 years (2015 will mark 25 years since the series debuted) back when he visited the Black Lodge:

The revival will go into production soon and premiere in 2016.

Visit M. Night Shyamalan’s WAYWARD PINES

It would be difficult to spawn more TWIN PEAKS comparisons than Fox’s new WAYWARD PINES does with this initial trailer. From the strangely quaint town full of colorful characters to the federal agent in way over his head to the star-studded cast, WAYWARD PINES is just begging to be measured against David Lynch’s seminal weird series.

About the only thing that will distract from the allusions to the adventures of Special Agent Dale Cooper in the great Pacific Northwest is the presence of creator/producer M. Night Shyamalan – the onetime cinematic wunderkind-turned-cliché-turned-Hollywood punch line. Everyone is trained to expect the “unexpected” from Shyamalan, so his greatest achievement here would be to get anything past the audience.

I’m calling it right now: This series will be overwhelmed by fan arguments over whether lead character Ethan is dead or not. I can almost see Twitter the next morning; and it won’t be pretty. Beyond TWIN PEAKS, this series also appears to borrow heavily from Shyamalan’s 2004 movie The Village, doesn’t it?  And how about that PRISONER vibe?

WAYWARD PINES is being held until 2015 on Fox.

BROADCHURCH Should Have Broad Appeal in USA

broadchurch1I quite enjoyed last night’s premiere of BROADCHURCH on BBC America, but I definitely didn’t see anything that was very “new” or “groundbreaking” — which is the way the series is being sold. BROADCHURCH is a police procedural about the murder of an 11-year-old boy in a British seaside town, and how the killing affects everyone in town.

Perhaps its storytelling is new for a series in the UK, but BROADCHURCH reminded me instantly of TWIN PEAKS, but without the supernatural elements: the death of a child shakes a small town to its core. I expect future installments to reveal the dead boy Danny was involved in a secret conspiracy that affects a lot of adults in town and reaches into the local school — just like Laura Palmer’s situation.  It’s even mimicking the law-enforcement dynamic: the local cop who knows everyone in town teamed with the eccentric “expert” from somewhere else.
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HAPPY TOWN 1.1: Are you happy now, ABC?

Unless you have been avoiding ABC programming entirely for the past few months, you are doubtless aware that the network had a new crime series, HAPPY TOWN, debuting this week. This question is: Was it worth the saturation promotion and megahype?

Well, not really. HAPPY TOWN is enjoyable enough, but in no way is it groundbreaking appointment television. The bizarre serial-kidnapper whodunit invites – make that begs – comparison to TWIN PEAKS by openly aping the iconic series with everything from its rustic small town to its quirky residents to a sheriff investigating a bizarre murder. In this case, the victim has a railroad spike driven into his head, resulting in a hole that goes clean through his skull, allowing sunlight to shine through. While somewhat novel for network TV, this is no Laura Palmer, the homecoming queen “wrapped in plastic.”
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Soap Opera Weekly: Night Shift 5/9/08

How can SURVIVOR: MICRONESIA — FANS VS. FAVORITES continue to surprise me this late in the game? There has never been a season with such a succession of remarkable tribal councils. Each week has been more jaw-dropping than the last, because people just don’t learn. Case in point: Erik voluntarily gave individual immunity to Natalie, setting a new high-water mark (or, more properly, a nadir, but I’m working with an island theme here) for SURVIVOR stupidity.

The show opened with the battle lines drawn: AmandaParvati and Cirie on one side, and Natalie and Erik on the other. When Erik won the (boring) trivia challenge, it was revealed that he had “promised” both Amanda and Nat to take them with him if he won the reward trip. Uh-oh! He chose to take Amanda to the spa, and send Parv to Exile Island. Parvati didn’t mind, because she was just there to keep Nat from finding the last hidden immunity idol. So Parvati enjoyed simply lounging on the beach, sunbathing (which made me feel like I had won the reward!).

When Erik and Amanda returned with newly poofy hair, he was Island Enemy No. 1. (Nat glaring at him while squatting with that machete reminded me of Karen Black at the end of TRILOGY OF TERROR). However, the girls needed to find a way around the fact that Erik went on to win individual immunity. So they hatched a complicated plan to make it look like Nat needed to be protected from elimination by big, strong Erik — who himself needed to make a magnanimous gesture to counteract all his previous backstabbing. The ladies manipulated the tribal council discussion and played Erik like a kazoo. As the shaggy fan handed the immunity necklace to a grateful Natalie, the members of the jury looked like they were going to stroke out from laughing, and Parv gave Nat at kiss. (Talk about a reward!) Erik crossed his fingers, but it was all for naught as the vote went against him. “You guys drive me crazy,” he lamented. Host Jeff Probst snarked, “That is what you call a life lesson.” As Erik’s flame was snuffed, James exulted, “I lost my reign as dumbest Survivor ever!” Yes, James, congratulations. That dubious honor will live with Erik forever. Don’t forget: The SURVIVOR finale airs Sunday night at 8 o’clock. I hope everyone crosses fingers for Parvati…

At 10 o’clock, I figured, why not cross over networks and take a moment to check up on ER? Abby was offered a job at a fancy private clinic with great facilities, regular hours and a better salary. Hmmm, didn’t that same thing happen to Dr. Benton — or was it Ross? Maybe Greene? I know: Lewis, right? Well, one of them. BO-ring… When I check back later, a glum Neela is sobbing while looking at a Web site. Poor Neela….

LOST used its signature opening-eye motif to kick off the island portion of the episode. Intriguing: Locke’s flashback covered a period before he was born. This reminds me of the time-travel rules on QUANTUM LEAP, where Dr. Sam Beckett could leap to any point within his lifetime — counting conception as the starting point, not his actual birth (See the episodes “Play It Again, Seymour,” and “The Americanization of Machiko” for examples).

I guess it should be no surprise that Dr. Richard Alpert again turned up so far in the past (and still played by Nestor Carbonell), since he never ages. The test he gave young Locke seems enormously important to me, because it reminded me of the test Buddhist monks administer when searching for reincarnations of the Buddha. The prospective Buddha child is asked to identify items (such as a rice bowl) that “belong” to him from his previous incarnation. This implies to me that Alpert thought Locke was the reincarnation of someone — but who? Remember all the talk of how islanders have been “waiting” for him? But Locke’s apparent failure of the test casts that in doubt. He must have done something in the interim to, er, reincarnate hopes. Ben lamented how he no longer has dreams, which I took to mean “prophetic” dreams. He noted that “being chosen” is a bitch. (See? Locke is special!) The reappearance of Abbadon (Lance Reddick) was unnerving. “I’m a lot more than an orderly,” he smiled. On this show, who isn’t?

Take Christian, for example. It’s not enough for him to be a ghost. No, he has to manifest in Jacob’s cabin, acting like he owns the place. Why was Jack’s late dad giving the orders? It occurs to me that it’s possible Christian keeps appearing because his corpse was on the plane when it crashed. Perhaps Jacob is inhabiting the elder Shephard’s body, like a ghost in the shell. The whole cabin sequence had a very TWIN PEAKS feel to me. I was thinking about the Red Room, which led to the Black Lodge, the whole time; both have creepy guys spouting cryptic nonsense while a hot blonde languishes nearby. Is Jacob a version of The Man From Another Place? Why was Claire looking so calm after abandoning her baby in the jungle — is she dead, like Laura Palmer? Perhaps Locke needs to shout the invocation, “Fire walk with me!” to access the secrets of Jacob’s cabin.

How funny was it that Hugo ended up spotting the damn cabin first, after all that discussion over whether he was needed? Why did the ghost of Horace Goodspeed so closely resemble our shadowy profile glimpses of Jacob? I confess I forgot all about the “Pit o’ Dead Dharmas,” but at least now we know what happened to them — Ben. The episode ended with one of LOST’s best lines ever, Locke remarking: “He wants us to move the island.”

It’s time for me to move along, until the next Night Shift

Originally posted on Soap Opera Weekly.com