It’s been a long 19 months since Joss Whedon favored the world with His wisdom on social media, so of course when He returns it’s got to be for a great reason. And what could be better than saving the USA — and, by extension, the world?
So his Jossness gathered a few friends to help impress upon the citizens of the USA how important it is to vote on Election Day, which is Tuesday, Nov. 8.
Get out there and vote on Nov. 8.
You don’t have to vote for Hillary Clinton; just don’t vote for Donald Trump.
As Martin Sheen says, “We cannot pretend that both sides are equally unfavorable.” Hillary is not equally as horrible as Trump. Trump is proudly opposed to everything that truly makes America great, and he’s trying to fool the credible among the electorate into voting for him.
Don’t be fooled by the man who is not a successful businessman (four bankruptcies), not a billionaire (that’s why he’s hiding his tax returns), not a charitable giver, admires world dictators and is not a nice guy.
The erstwhile Ninth Doctor, Christopher Eccleston, has told an Australian radio station that he wishes he had stuck with DOCTOR WHO longer than just one series.
Eccleston said to Melbourne, Australia’s 774 ABC: “It was kind of tragic for me, that I didn’t play him for longer. He’s a beautiful character, and I have a great deal of professional pride and had I done a second season, there would have been a marked improvement in my performance. I was learning new skills, in terms of playing light comedy. I was not known for light comedy and, again, production did not allow for that.”
The Ninth Doctor gave way to the 10th (David Tennant) after just 13 episodes in the 2005 revival. The parting of the ways was attributed to “creative differences,” and in the years since, both Eccleston and his executive producer, Russell T Davies, had declined to elaborate — until last year, when the actor began dropping cryptic little comments that, when assembled, gave some insight into the reasoning that led to his early departure.
I just found this four-minute clip that shows snippets of the insane chase scenes from Mad Max: Fury Road without CGI enhancement of any kind — and the sequences don’t lose any of their heart-stopping thrills at all!
While it’s true that the final onscreen product was “sweetened” with some visual effects, it’s important to note that so much of the action was done with live-action, practical vehicles and stunt players. The climatic crash of the War Rig, seen in this clip, was obtained in just one take!
In my opinion, MM:FR should have won the Best Picture Oscar for 2015. While Spotlight certainly was the most important and most prestigious film of last year, it was also fairly forgettable. Come next February, just try to find someone who can tell you which movie won the previous year’s top award.
No one will have trouble recalling this R-rated, Charlize Theron/Tom Hardy instant classic. Fury Road drove away with six Oscars in tow, but I believe it was robbed of Best Picture and George Miller deserved Best Director.
But everyone who saw it will remember Fury Road as shiny and chrome for many years to come. It left flaming skid marks across my movie mind, and I was really (really) pulling for Max and Furiosa to pull an upset in L.A. I suppose this near-perfect film will have to be content in the company of so many other indelible movies that didn’t win the big prize.
To paraphrase the narrator of The Road Warrior, It lives now… only in my memory.
Today marks the 15th anniversary of the cowardly attacks on the World Trade Center by a handful of hate-filled religious maniacs.
I am once again reprinting my blog of remembrances of the sickening — and inspiring — events of that day, as someone who was in midtown Manhattan at the time.
I was awakened by an airplane early on the morning of Sept. 11, 2001. No, it wasn’t one of those jets; it was just a passing low-flying plane, the kind that zoom toward Westchester County Airport all the time. It was before my alarm was supposed to sound, so I tried to get another 15 minutes of sleep. When I did finally get up and venture outside to drive to the train station, I distinctly remember marveling at what a beautiful day it was: The sky was clear and such an amazing deep blue that I actually noticed it. The temperature was comfortable, with a light breeze, and I was sorry that I would have to spend such a gorgeous late-summer day in an office in Manhattan. I actually thought it was one of the most beautiful days of the year. How wrong I was…
The next entry in the Star Wars universe, Rogue One: A Star Wars Story, represents Disney taking a big chance with the first-ever stand-alone movie, meaning it is not connected to the Skywalker family in any way, so it’s not surprising that the studio is nervous about tampering success in the wake of Star Wars: Episode VII — The Force Awakens. But absolute panic has swept fandom since the announcement that Rogue One will be doing reshoots this summer.
Calm down, people! Reshoots are perfectly normal — even expected in modern filmmaking. Sure, there used to be a time when doing reshoots meant a movie was in trouble and the studio was desperate to fix it, but that is no longer the case.
Every once in a while a trailer comes along that spells out the entire movie, plot beat by plot beat, thus saving you the trouble of going to see the actual film.
The second trailer for The Shallows is one of those clips. It not only spells out the premise (beauty v. beast), it shows us out the film plays out, from beginning to end. Watch:
There, now you know everything that happens, in order, in this movie.
Now, I’m not suggesting anyone should skip two hours of Blake Lively in a swimsuit, but in case you have something better to do on June 29, you won’t have to feel guilty about missing it.
The original home of Godzilla, Japan’s Toho Studios, is getting back into the kaiju game by releasing its own comeback vehicle for the King of Monsters, Godzilla Resurgence.
Check out the international trailer (which features only music — no dialogue, dubbed or otherwise) here!
This will be Toho’s first Godzilla movie in over a decade — the studio licensed the creature to Legendary for 2014’s Godzilla, directed by Gareth Edwards — and it certainly looks like a return to the spirit of the 1954 original, in which Gojira was a rampaging force of nature that had to be destroyed.