Dana...or is it Jenny?
Now that Jenny’s trashy ex has been perforated by his partner-in-crime, Nick (who was in turn aerated by Cole), can 24 please get back to the matter at hand – those missing uranium fuel rods?
Dana’s out-of-office domestic
intrigue detour has been a terrible drag on the excitement of Day 8. In a lot of ways this season has been a return to form for Jack Bauer (Kiefer Sutherland) as well as 24 itself. Unfortunately the back-to-basics approach seems have been a warts-and-all transformation, meaning the dull, credibility-stretching subplots are back (Remember Chloe and the baby? Zzzzz…). Has anyone ever labored in an office where the co-workers so worried about one another’s business? Whenever Arlo (John Boyd) wasn’t sexually harassing Dana, he was demanding to know who was talking to on the phone. I know these people are engaged in counterintelligence, but that kind of snooping beggars the imagination.
And viewers have already been asked to suspend their disbelief to accept one of the central premises of the refurbished CTU: Freddie Prinze Jr. as the lead field agent for an anti-terror organization. Now, Prinze may be a pleasant-enough comic actor, but he looks 14 years old. No way is this kid the go-to guy with Jack out of the picture. Cole Ortiz isn’t even Curtis.
Understand, I am a huge fan of Katee Sackhoff (Jenny/Dana), but this storyline has been a giant disappointment for her. She has had absolutely no opportunity to show viewers the charismatic brilliance she displayed as Battlestar Galactica’s Kara “Starbuck” Thrace. Heck, even her gig on the Bionic Woman reboot gave her more chances to shine. As Kara, Sackhoff was magnetic; as Dana, she is passive and reactive. I can understand Sackhoff wanting to show some range, but I really have little interest in seeing CTU’s crack data analyst crack like an eggshell when that loser Kevin showed his squirrely face. I hope the-powers-that-be give Jenny a chance to return to form as Dana and really contribute to the story.
Perhaps she can save us all from the annoyingly nosy Arlo!
NBC has announced what it considers the highlights of the guest list for Jay Leno’s first two weeks back behind the desk of The Tonight Show With
Conan O’Brien Jay Leno, which starts next Monday, and I can say I won’t be tuning in, because there is not a single person in that lineup I have even the vaguest interest in seeing.
I mean, look at this roster: the cast of The Jersey Shore, American Idol judge Simon Cowell and former Alaskan Gov. Sarah Palin? Somebody is trolling for the lowest common denominator. At least Olympic gold medalists Apolo Anton Ohno, Shaun White and Lindsey Vonn are legitimate newsmakers, but they are bound to appear in more reputable venues. Even still, they represent a blatant attempt to appeal to a much younger demographic than Jay traditionally attracts. (In other words, Conan’s crowd.) Is anyone in Jay’s usual demo even going to recognize the Flying Tomato? Kim Kardashian is not going to lure me away from Late Show With David Letterman, either.
I will admit that I expect to be feeling a lot of morbid curiosity about premiere night because I can’t help wondering how Jay is going to handle the fiasco. Especially in light of the way the network continues to multiply the sin by adding insult to injury with its ultra-obnoxious promos featuring The Beatles’ “Get Back,” which imply that Jay somehow “belongs” on the Tonight Show. Please. The only place he belongs is on the sidelines, watching Conan. I hope I can resist the temptation to watch the repremiere in horror…
Updated for Whovians in the USA!
The next episode Yanks will see, on May 1, is “Victory of the Daleks,” by Mark Gatiss. Here is a link
to find the preview package.
The new trailer for Series 5 of DOCTOR WHO has been broadcast in the U.K., and I must say that I enjoyed it immensely. Check it out for yourself here.
Made up of all new material (which explains the blue vortex in this promotional image), the trailer give us a few seconds of the Doctor (Matt Smith) and Amy (Karen Gillan) bonding while looking at the stars before the ground opens and we get glimpses of monsters new (the Beast thing, which I hear is called a Smiler and appears to have two faces) and old – a Dalek and a Weeping Angel. With the Angel bearing down on them, the Doctor hurls Amy to safety and takes on the beastie hand-to-hand! That’s a hero! And that lizard-like thing bursting out of the ground could be a redesigned Silurian. But whatever it is…ya gotta love it.
What I like about Matt’s portrayal here is that he is playing the Doctor as self-assured and experienced, in contrast to his youthful appearance. The way he says to Amy, “Where do you want to start?” shows he has confidence in himself and his capabilities (as well has his ability to keep a companion safe). The last time we had a youthful Doctor, his fifth persona (Peter Davison) was rather more tentative – and that totally worked in contrast to the Fourth Doctor’s (Tom Baker) casual brilliance. The new Time Lord also doesn’t go overboard in the opposite direction, like the abrasive Sixth Doctor (Colin Baker). I was a little wary that the 11th incarnation was going to counteract the godlike final days of his 10th persona (David Tennant) by coming back all nervous and self-doubting. But that’s not Steven Moffatt. Moffatt knows what he’s doing, and this trailer (which builds on the first one) indicates he’s doing it right.
“Who are you?” Amy asks him. “I’m the Doctor,” he replies, matter-of-factly.
How long until April 17 here in the States? (Easter, for those lucky ducks in the U.K.)
Amanda and Daniel
After successive episodes that ended with jaw-dropping twists, this week’s installment of CAPRICA was a far quieter affair. It felt like the show paused to catch its breath while giving the actors a chance to breathe in character. Paula Malcomson
, Eric Stoltz
, Esai Morales
and Sasha Roiz
got to emote bog-time, and Polly Walker
added a little more depth to Sister Clarice. All this made for another impressive episode.
The main story thread continued to deal with the fallout of the bombing of the MLMT train. GDD agent Jordan Durham (Brian Markinson) stepped up his investigation into the Soldiers of The One, conducting a high-profile (and thoroughly thuggish) search of the lockers at the Athena Academy, as well as a more polite tossing of the Graystone residence. Jordan is all about chasing down the terrorists who blew up the train. “I lost everyone on that train,” he tells Amanda. Later, he tells his partner, Agent Youngblood, that he feels responsible for everyone, not just family members. His searches turn up no evidence terrorist activity (beyond an infinity symbol), but Jordan is strangely comforted by the idea the school and the home were “too clean.” So coming up empty-handed strangely reinforced Jordan’s dedication to the cause. I liked this little chunk of characterization.
Amy and the Doctor
Updated for Whovians in the USA!
The End is Nigh! After the shocking events of “The Pandorica Opens,” Matt Smith‘s brilliant initial season in the TARDIS wraps up this week with “The Big Bang.” Can the Doctor overcome the odds and save not only the entire universe, but himself? Check out the official preview page at BBC America.
It’s all been leading up to this: “The Pandorica Opens” kicks off the two-part finale of Matt Smith‘s debut season as the 11th Doctor. What is a Pandorica and why is it opening? How did Prisoner Zero know this would happen? And what did he/she/it mean when he/she/it said, “Silence will fall”? Check out the BBC America official preview page, then watch on June 17.
You wanted answers to the big questions? How about “Where did the Numbers come from?” Now we know. They came from Jacob, who wrote the names of people aboard Oceanic Flight 815 on a cave wall. And the so-called magic Numbers correspond with the survivors – well, the survivors and John Locke, depending on how you classify him. Nonetheless, the explanation was suitably spooky; c’mon, names and numbers scratched into the stone of a nearly inaccessible hidden cave. That’s pretty cool. And hey, that scale was balancing one white rock and one black rock. The Man in Black pitched the white one into the sea. How many times have we seen black and white rocks – not to mention The Black Rock slave ship?
The numbers and the people associated with them are as follows: 4 – Locke. 8 – Reyes, 15 – Ford, 16 – Jarrah, 23 – Shephard, 42 – Kwon (but is that Jin or Sun?).
This leaves us with one gigantic question: What about Kate? What’s her number? Did Locke/Smokey simply not show her to Sawyer? Why didn’t Sawyer ask about Freckles? See below for my theory.
So there was 24 breaking out one of its all-time classic tropes, the letter of immunity from the president, last night. By now, fans can see it coming. As soon as Sergei Bazhaev (Jurgen Prochnow
) said he would cooperate, I knew he would ask for full immunity. In writing. At least by now Jack (Kiefer Sutherland
) knows to tell the president ahead of time, “He’s gonna want that in writing.” I am sure that the Justice Department in the 24 universe now has a form handy for just such a circumstance. They probably call it a “Bauer.” The night’s best laugh line came when Jack handed Bazhaev the cell and said, “The president of the United States wants to talk to you.”
It was fun watching Jack get tortured by that Russian thug. “Fun?” you say? Yes, fun, because the sequence so perfectly aped a similar scene in the movie Lethal Weapon (1987). You may recall that a character called Mr. Endo tortured Riggs (Mel Gibson) with a car battery while he was suspended from a pipe. Riggs ended up strangling Endo (Al Leong, also recognizable in a similar role in 1988’s Die Hard) with his legs while still dangling from the pipe. Here, Jack turned the electricity against the Russian, and then freed himself from the pipe in time to choke out the thug – but Jack’s hands and his feet were tied the whole time. Take that, Mel Gibson. Who’s a lethal weapon now? Jack is a living weapon. And bravo to Sutherland for doing a lot of that pipe stuntwork himself. (Or else that was damn clever camerawork.)
strikes me as a children’s movie that should be watched with a parent close at hand. At several points I found myself thinking, “Wow, that would really scare a kid, wouldn’t it?” Unfortunately, there was no child handy to either correct or reinforce my impressions, so I can only guess. I will admit however, that the younger version of me would have enjoyed this movie immensely – but I have been told that I had a somewhat morbid sensibility as a kid. (One I still cultivate, BTW…)
Coraline tells the story of 11-year-old Coraline Jones (Dakota Fanning), who moves into a new apartment in a creepy old Victorian mansion. Coraline’s parents (Teri Hatcher and John Hodgman) are workaholics who act like caring for Coraline is a burden, hence she is often left to her own devices. In short order she meets a weird local lad called Wyborne (Robert Bailey Jr.) who hangs out with a mangy cat (Keith David). Wyborne gives her a strange old doll with buttons for eyes that resembles her. That night she dreams that a sealed-up door in the living room leads to another world – where lives her “Other Mother” (also Hatcher) and “Other Father,” dream parents who dote on her every whim and ply her with a magical garden and delicious food. But the real difference is, the Other parents have buttons for eyes. Coraline finds herself enchanted by this alternate reality and returns through the portal many times. She is thrilled to be offered the chance to remain in this world – until, thanks to the cat and a morbidly altered version of Wyborne, she realizes that things on the other side may be just a little too good to be true, and staying forever comes at a terrible price.
Claire and Noah
This is how the world of HEROES ends, not with a bang, but with a whimper.
In this case, it was the literal moan of defeat uttered by Samuel Sullivan. Which is pretty much what’s been wrong with HEROES since the close of Volume One: Things just…peter out. In contrast to the nuclear armageddon and super-battles that climaxed previous seasons, here Claire and HRG convinced a bunch of people to run away from Samuel, and he was rendered powerless, left mewling on the ground.
Um, that was it?
Daniel and Joseph
The latest CAPRICA saw some characters undergo big changes: Amanda (Paula Malcomson) was compelled to resign her position at the hospital, and husband Daniel’s (Eric Stoltz) company took a financial pounding even as he endured a physical beating from Sam Adama (Sasha Roiz). The Graystones had been on top of the 12 worlds, but now they are pariahs.
But perhaps no one has changed as radically — and certainly as willfully — as Joseph Adama (Esai Morales). As the bloody pulp that was Daniel gasped “Adams” at his tormentor, Joseph sneered, “It’s ‘Adama’ now,” signaling his transformation from genteel gangster who engaged in polite bribery, into a guy who ordered his brother to pound Daniel; a thug who literally gets blood on his hands. But Joseph is still completely devoted to his daughter, just like any other doting father. In fact, one could argue that Tamara (Genevieve Buechner) and her mother Shannon (Anna Galvin) — or, more precisely, their loss — are fueling Joseph’s descent into the criminal underworld of the Ha’la’tha. And it is a descent that is rapidly spiralling out of control. Witness Joseph casually suggesting to Sam that he should take out Amanda Graystone to “even out” the two families’ losses. That shocking order constituted the second jaw-dropping CAPRICA ending in two weeks.