Okay, let’s get the bad news out in the open right away: The season premiere of HEROES was…kinda dull. Not bad, not great; mostly dull. It’s season four now; as viewers we’re long past the point of being surprised/impressed when someone demonstrates a superpower. Right away we were introduced to Samuel Sullivan, whose power is not long-windedness, but rather the ability to move the earth (and no, that’s not sex thing); an ability that goes by the fancy name “terrakinesis.” Then we had to sit through a lot of mysterious stuff at the Sullivan Bros. Carnival, like trying to puzzle out what was going on with the tattoo ink. And while all that stuff was mildly intriguing, it wasn’t especially interesting. In fact, of all the story seeds that were planted for this season, the only one I found really compelling involved Claire and HRG. Sylar reasserting his personality was predictable; Hiro’s thread dragged too much; I can’t care about Tracy because the show doesn’t even seem interested in giving her a personality.
I was very interested in what was going on with Claire. Hayden Panettiere is developing into a fine young actress – a fact that the-powers-that-be apparently recognize because she has been getting the bulk of the scenes that require actual acting. Claire is starting college with the new season, and her nightmare of a roommate, Annie, turned out to be played by Rachel Melvin (Chelsea, DAYS OF OUR LIVES). I know she was supposed to be insufferable, so congratulations, Rachel, mission accomplished. Much more entertaining is Madeline Zima‘s Gretchen. She has an actual personality – and a quirky one, no less — as opposed to a being a “type.” The problem with Claire’s relationships in the past (I’m looking at you, West) is that the dudes have been dead boring. Every time he appeared onscreen I was distracted by wondering how a guy who can fly could be boring. But in just a few short scenes, Zima imbued her line readings with so much personality that she fairly leapt off the screen (in a good way). I loved the way her eyes shined when she proposed proving that Annie’s death was a murder. This is a pairing to watch. Claire using herself as a crash-test dummy was predictable yet funny. However, by now she should be more discreet in the use of her power. (What was she planning to do with that huge pool of blood from her head?) Claire’s father, HRG – Noah, played by Jack Coleman – remains the other most interesting character on the show. Every week I’m relieved that he remains 100 percent human (generating great chemistry with Hayden doesn’t count as a power) and 100 percent ass-kicker! He’s smart and resourceful; I have no idea how he knew to look in Danko’s gut for that key. If he thought Danko’s killer had paid unusual attention to slicing up his abdomen, why didn’t the assailant find the key?
Robert Knepper (ex-T-bag, PRISON BREAK) is a great fit as the sinister Sam. He exudes confidence and intelligence – two things a really effective antagonist needs. It was fun to actually see Ray Park‘s face as knife-wielding speedster Edgar. The martial artist usually plays characters that require his face to be obscured – Darth Maul in Star Wars Episode I – The Phantom Menace, and Snake Eyes in this summer’s GI Joe: The Rise of Cobra. Edgar’s big fight with Peter was marred by some really ineffective editing, and I was distracted because Peter appeared to have replicated not only Edgar’s power, but his skill with blades. I don’t think I knew he could do that.
What did I really dislike? Matt’s hallucinations of Sylar. I know TPTB had to get the wildly popular Zachary Quinto back onscreen, but this plot makes Matt look stupid. He knows “Sylar” is an illusion, yet he continues to argue with the specter? C’mon, Matt, you’re smarter than that. You’ve got mental powers, you know all about mind games; especially the ones you play on yourself.
At the end of this inaugural two-parter, I had to stop and think about actually happened, and I came to the conclusion it was not a heck of a lot. Everything seemed dedicated to positioning the pieces on the chessboard. And while a lot of potential was apparent, not a lot of it was realized onscreen. I was left taking the Easter eggs where I could find them: Kimiko referring to Hiro and Ando as “Heroes for Hire” was a shout-out to a Marvel Comics series, while boys dubbing themselves “Dial a Hero” is an obvious homage to an old DC comics series called Dial H for Hero.
HEROES doesn’t quite have to dial H for Help just yet – and let’s hope the show doesn’t have to.