Introducing “Doctor Strange” Characters via Posters

docstrange_poster_1sheetDoctor Strange, the latest installment of the Marvel Cinematic Universe, opens in just over one month, and these character posters are intended to get folks familiar with the main characters — and the topsy-turvy mystical world they inhabit.

Magic has not yet been seen in a Marvel movie, but Doctor Strange will introduce the concept in a big way. Ant-Man showed vans that other realities, such as the microverse, are possible, so viewers shouldn’t be too shocked that magic can exist in the largely science-fiction-based MCU.

The reality-bending images include Benedict Cumberbatch as Dr. Stephen Strange, Chiwetel Ejiofor as Baron MordoRachel McAdams as Christine “Night Nurse” Palmer, Benedict Wong  as Wong, Mads Mikkelsen as Kaecilius and Tilda Swinton as the Ancient One.

Directed by Scott Derrickson (Sinister), Doctor Strange also stars Michael Stuhlbarg, Benjamin Bratt and Scott Adkins. Jon Spaihts (Prometheus), Derrickson and C. Robert Cargill wrote the screenplay.

Doctor Strange will appear in theaters Nov. 4.

Review: Sherlock Holmes – the Game is Afoot!

Watson, Holmes and Adler

Sherlock Holmes is a big, modern blockbuster that puts a 21st-century gloss on a 19th-century character who has withstood the test of time.

The filmmakers have essentially gone back to the future with Sir Arthur Conan Doyle‘s brilliant detective Sherlock Holmes (Robert Downey Jr.) and his partner Dr. John Watson (Jude Law). I am not Holmes scholar, but I have a general familiarity with the character, and I can tell you that what the-powers-that-be have done is consult the source material, Doyle’s original stories, and picked up on several background elements – such as Watson’s service in Afghanistan and Holmes’ faculty for self-defense) and brought them to the forefront. Thus we get a Holmes who can crack skulls as well as he thinks with his own, and a fit, dashing Watson who conceals a sword in his cane. TPTB have likewise stripped away a lot of the barnacles that have attached themselves to the property. Gone is the deerstalker cap (popularized in stage and screen adaptations but never mentioned by Doyle) and overt cocaine addiction (replaced by a vaguely hinted-at taste for wild living; perhaps alcohol). Downey’s Holmes is much more of high-functioning party animal than a deep-thinking hermit; he feels more like Batman or even (wink, wink) Iron Man. However, that true Holmesian hallmark, deductive reasoning (which is actually inductive, but let’s not get into that) combined with an amazingly keen eye for detail, continues to figure prominently. And while this Holmes is a bare-chested brawler, he does puzzle things out before acting out. One recurring storytelling device allows us to enter Holmes’ mind as he plans out a detailed series of physical moves, and then executes them to perfection – presumably illustrating his mind-over-matter philosophy. In short, all the elements that should be in a good Sherlock Holmes movie are there; you just have to pay attention. And it all paves the way for chases, fisticuffs, gunplay, not-quite-damsels-in-distress, quippy lines and climactic battles with the fate of all England hanging in the balance. In short, it’s a summer blockbuster wrapped up with a pretty Christmas bow.
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