It was bound to happen: A viewer has to expect a clunker episode every now and then, and “Time Heist” landed with a thud. Ironic for an episode that relied on an intricate plan, this story seemed to have no real idea where it was going. It feels like a collection of neat ideas for scenes and a monster strung together in a very disjointed manner. I almost get the feeling that the direction was purposely muddled to try and camouflage the story’s shortcomings. It didn’t work.
Can anyone think of a more convoluted way to accomplish a very simple goal – provided you can figure out what the point of the story was; no easy task. The reveal of the Doctor’s master plan left me asking the TV screen, “That’s it? That’s what he wanted to accomplish? And he did it that way?”
After going for laughs last week with “Robot of Sherwood,” show runner Steven Moffat went for chills with this week’s script – and he succeeded on a very primal level. For TV, this was a damn scary episode, with some excellent atmospherics as opposed to the usual gore seen on shows like THE WALKING DEAD or HANNIBAL. In this DOCTOR WHO universe, the scariest thing in the universe is… a bedspread?
The Doctor’s quest to discover if any creature has mastered perfect camouflage – and what such a being might want – leads to an unexpected visit to the Doctor’s childhood, where Clara again has a huge influence over his life, ironically implanting ideas about fear and “the promise” implicit in the Doctor’s name.
This collection of promotional photos for the DOCTOR WHO episode “Listen” come courtesy of BBC America, which will be airing the episode Saturday at 9 p.m.
The images feature Peter Capaldi as the Doctor, Jenna Coleman as Clara and Samuel Anderson as Danny:
Only two episodes into his run, Peter Capaldi already has a classic episode under his belt with “Into the Dalek,” a truly ripping yarn! Yes, that may sound like too much praise, but I’ve been thinking about it, and I really think this story stands among the best Dalek tales ever.
Viewers also saw more of this new 12th Doctor – and the view is not entirely reassuring. This is a much (much) more gruff and short-tempered Doctor. He’s very (very) funny. And, most surprisingly, I really do not know if this incarnation likes Clara (Jenna Coleman). He acts like he can barely stand her one second, but relies on her the next. The Doctor/assistant relationship has been deftly and completely reimagined, and that has introduced a palpable sense of uncertainty.
Tonight’s episode, “Into the Dalek,” written by Phil Ford and Steven Moffat, features the first appearance of Samuel Anderson as the new recurring character Danny Pink, who is a teacher with Clara (Jenna Coleman) at Coal Hill School. But, perhaps even more significantly, it pits the 12th Doctor (Peter Capaldi) against his most persistent foes, the merciless Daleks, for the first time!
Executive producer Moffat has been dropping some pretty big hints in print about the storyline. For instance, he told Doctor Who Magazine:
What’s the most dangerous place you put the Doctor, we wondered. And then we put him there. Oh, it’s a proper blockbuster, this episode. So many explosions that Peter Capaldi came in on his day off to watch the Daleks blowing up.
The BBC has released a bunch of promotional images and an official synopsis for the second episode of series eight, “Into the Dalek,” airing Saturday night on BBC America.
“Not in front of the humans, Clara!”
DOCTOR WHO show-runner Steven Moffat has done a lot of talking about the Peter Capaldi era being different from the Matt Smith period — and now the Grand Moff is assuring us that the 12th Doctor will be different from not just 11 but his 10th and Ninth incarnations as well, because Moffat is putting an end to all the kissing and mushy stuff that has been a staple since the show was rebooted in 2005.
Moffat told the current issue of Britain’s Radio Times:
“He’s not a human being, however much he larks around pretending he is. He is different and it’s time to stop play-acting. He’s not apologising, he’s not flirting with you -– that’s over.”