It seems that a leak yesterday from the set of Batman v Superman: Dawn of Justice prompted director Zack Snyder to Tweet what he called “a real picture” of the newest version of the Batmobile.
You may recall that Snyder first revealed Batman’s new ride back in May (while simultaneously debuting Ben Affleck‘s version of the Batcostume). The rear end of the vehicle had been teased a bit earlier.
USA Today points out that this Batmobile combines elements from previous movie Batvehicles, such as the sleek cockpit and central chasis of the Michael Keaton/Tim Burton version and the combination tank/monster truck of the Christopher Nolan/Christian Bale Tumbler incarnation.
Batman v Superman: Dawn of Justice is currently scheduled to hit theaters March 25, 2015.
Here are some images from a couple of anticipated blockbusters — and something a little different for action/adventure/Sci-fi director Ridley Scott.
I’m pretty sure we’ve seen enough of Electro from summer’s The Amazing Spider-Man 2, so now I want to know more about the Rhino. Please, please, please, don’t let him actually turn out to be a Zord straight out of MIGHTY MORPHIN’ POWER RANGERS!
Seeing Andy Serkis in a motion-capture suit is pretty much a guarantee that something special is going to be happening on Dawn of the Planet of the Apes. You can see the fruits of some his work in the DotPotA teaser trailer.
Finally, I hope Christian Bale doesn’t use his hoarse Dark Knight whisper in the biblical epic Exodus. It already will quite a shock when a chestburster pops out of Pharaoh — not to mention how out-of-place batarangs are going to look during the climactic battle sequence!
What is former DOCTOR WHO star Matt Smith up to now? He is once again indulging his apparent love of playing crazy murderers by following up the Hollywood movie How To Catch a Monster with a London stage production of American Psycho, a musical based on Brett Easton Ellis’ satirical novel.
The blackhearted book was turned into a 2000 film starring Christian Bale (The Dark Knight) as Patrick Bateman, a 1980s businessman obsessed with the material trappings of success — and no qualms about murdering anyone who doesn’t meet his high personal standards.
The novel was adapted by Roberto Aguirre Sacasa (GLEE), with music and lyrics by Duncan Sheik. It is directed by Rupert Goold and running at London’s Almeida theater through Jan. 25.
The Dark Knight Rises really was not at the top of my must-see list for 2012 — it was closer the to the middle of the pack — but that’s no excuse for the film to be more disappointing than any other feature I screened this year. It’s particularly bad because the superhero flicks The Avengers and The Amazing Spider-Man turned out far better than I had anticipated.
This video clip sums up the more obvious sins of TDKR in about 3 minutes.
Let’s take a look at the teaser posters for two highly anticipated superhero movies opening this summer: The Dark Knight Rises and The Amazing Spider-Man.
In my opinion, both of these posters look great, and should accomplish the goal of getting fans psyched to see their favorites back on the big screen. One film purports to tell a story about the end of an icon, while the other promises to reveal the secrets of the beginning of a different legend. One is an original story, while the other is a remake. I am suddenly looking forward to seeing one, and gradually recoiling from the prospect of seeing the other. Which movie is which?
The Hurt Locker
, there was quite a lot to like about movies in 2009 – and the good stuff was spread out over the course of the year. Both The Hurt Locker
were released way back in March, and Avatar
came out in mid-December. And while it’s not on this particular list, I quite enjoyed Sherlock Holmes
(see my review
), which was unwrapped on Christmas Day. I know, I know, it’s Jan. 2 – what took me so long to post this end-of-year list? Well, I’m still watching stuff, okay? I haven’t managed to catch Up
yet, so reserve a potential 12th slot for that one.
And I want to emphasize that these are movies that I loved – not necessarily the best-made or deepest films of the year. I leave that to experts who have actually seen everything. (People still read Roger Ebert, right? Or is it all about Rotten Tomatoes now?) I know Watchmen has flaws, and The Hangover is rather silly, but hey, I enjoyed ‘em. So there! Now, on with the list…