“I got a bad feeling about this.”
I wonder how many LOST fans felt the same way as the final episode unspooled with the sort of musical montage that usually ends episodes. Well, in the words of Sawyer: “Sonofabitch.”
They did it.
LOST ended nearly perfectly.
The-powers-that-be chose to end the story, rather than merely answer questions. Here we the viewing audience were, wondering how the lingering questions were going to be addressed, but it looks to me that show-runners Damon Lindelof and Carlton Cuse said, “Screw that, we’re closing all the character arcs.” After watching the characters finish their journeys, I’ll be damned if I can think of any nagging leftover questions that still seem to matter. I feel totally satisfied by the story. So what if we don’t know the original human name of the Man in Black. Walt was “special” because…well, because he was. Maybe all kids were revered because of the pregnancy thing.
Far more important to me, was the fact that the main characters reached some kind of closure. Almost everybody got happy endings in the Sideways universe, while events unfolded on the Island the way they had to. In a way, TPTB had it both ways: They gave the fans the sweet ending they wanted but also played out the brutal endgame on the Island. And on this show, it made total sense for Jack to die, yet still be happy. And the final funereal moments, when everyone was gathered in the church, made clever use of the concept of the hereafter to gather all the characters together no matter when they died. Everyone was dead. Some folks died before Jack (the Kwons), some long after (Hugo). “There is no ‘now’ here,” Christian told Jack. They all gathered because needed to be together. Jack needed all of them, and they needed Jack. And this was a true ending. As Jack told Hurley, “There are no shortcuts. No do-overs. What happened, happened. All of this matters.”
“We’re very close to the end, Hugo.”
As LOST winds down to its final precious hours, the bodies are piling up almost as fast as the reveals. The question is: Are the corpses and the answers worth it?
This week we saw Jack (Matthew Fox) step up and accept guardianship of the Island, prompting my new $64,000 Question: What took so damn long? I can understand if Jacob (Mark Pellegrino) wanted Jack to accept the job of his own free will, but…why did he wait so damn long to ask? Jack surely would have taken stewardship of the Island in exchange for letting everyone else get off. And the way Jacob casually dismissed Kate’s (Evangeline Lilly) question about why she had been crossed off the list – it was just a line of chalk on a wall and so the job is hers if she wants it – had me ready to scream. He was willing to give it to any of the candidates? Why let everyone go through so much pain and torture? Why all the mystical mumbo-jumbo? Why?
Honestly, I dreaded the approach of this week’s episode of STARGATE UNIVERSE because the previews made it look like the silly old “alien makes you face your worst fear” cliché was in full effect. Sooner or later every show gets around to this hoary chestnut, and I figured SGU better just get it out of its system. To make it seem even worse, the fears glimpsed looked to be standard-issue dull; I mean, claustrophobia? Really? Why can’t some alien force somebody to face the terror of…speaking in public? Supposedly most people dread that more than dying!
Happily, the actual episode proved to be much more enjoyable than anticipated. Not stunningly original, but at least well-executed. As usual, the excellent cast stepped up with some terrific performances (special kudos to Elyse Levesque for her conflicted Chloe), and the direction kept the story moving at a good enough pace that the audience did not have time to linger over the overly familiar plot points.
Why? Why did Sun, Jin and Sayid have to die?
Simple. They gave their lives in service of the story. Because their deaths added to the drama. Because a higher power — the-powers-that-be behind LOST — realized that sometimes story threads need to be snipped rather than tied off. Because TPTB have set the endgame in motion, and after six seasons, this all has to mean something. Plus, the characters died heroic, self-sacrificing deaths — the best kind possible, I suppose.
GLEE got off to a rough start for me this week, because I actually did not like the opening number, a rendition of “Ice Ice Baby” performed by Will (Matthew Morrison). I don’t have a problem with Morrison’s rapping – I really enjoyed his versions of “Gold Digger” and “Bust a Move” for example; it’s just that something about “Ice Ice Baby” left me cold. In fact, it wasn’t just Will. I thought the backing vocals were off as well. Maybe the song just wasn’t mixed properly from broadcast. I’ve been trying, but I can’t recall another performance on GLEE that I really actively disliked.
In another misfire, Sue Sylvester did another video, which meant the wonderful Jane Lynch got to perform with guest star Olivia Newton-John on a refurbishing of her hit “Physical.” I thought the vocals were electronically manipulated a little too much, but perhaps the producers had to do it to cover up some mistakes. Sue herself suffered from the mistake of giving Kurt access to her office, so he was able to get hold of video of Sue rocking out to the original “Physical.” The video went viral on the Web (after the gleeks uploaded it) and Sue was humiliated — on a global scale. Of course, in Sue’s case, everything is larger than life, right? Still, it was shocking to see Sue on the other side of the popularity coin – as the butt of “slow-motion laughter.”
Will and April duet right.
Each episode of GLEE since its return has been better than the one before, and this week’s installment, called “Home,” was no exception. A treatise on the concept of finding someplace to belong, the story also saw the welcome return of Kristen Chenoweth as April Rhodes. This was one of those episodes that had viewers laughing, singing along and then crying – sometimes practically all at once.
The storyline saw Sue (Jane Lynch) boot the glee club from the auditorium, sending Will (Matthew Morrison) in search of rehearsal space. That quest brought him into contact with April, who was running a roller rink because she got sidetracked on her journey to Branson. April, too, was searching for someplace to belong – was she really happy playing the mistress of a local strip-mall king? When she and Will dueted on “Fire,” it felt like she rediscovered where she belongs: by his side. Morrison’s and Cheno’s voices mesh perfectly, and they look good together, so it was no wonder April wanted to move in with him immediately. (I’m sure Emma would have something to say about that…) Their duet on “One Less Bell to Answer” was heartbreaking.
Jin and Sun
THE A-TEAM’s Hannibal Smith famously loved it when a plan came together, and LOST the-powers-that-be reunited key characters this week as they position their players for the endgame. And that made longtime viewers the winners this week.
The most important development was the reunion of Sun and Jin, who have not seen each other (in the original timeline) since the explosion of the freighter Kahana at the end of Season 4! Let’s hope he can keep his vow: “We’ll never be apart again. I promise you.”