Soap Opera Weekly: 8/30/10

The 62nd Primetime Emmys was kind of like a horse race last night: It started out really strong, moved at a gallop, then faded badly in the final turn, before finishing with a favorite and a dark horse in the winner’s circle.

First of all, I have to give kudos to GLEE’s Jane Lynch for pulling off my favorite win of the night; I figured she was the only guaranteed lock of the night, and luckily it happened. It was fantastic to see her win for such a vivid character and performance.

Speaking of GLEE, I loved host Jimmy Fallon‘s opening piece, in which he teamed with GLEE regulars Lea Michele, Cory Monteith, Chris Colfer and Amber Riley — as well as totally random guests Jon Hamm (Don, MAD MEN), Nina Dobrev (Elena, THE VAMPIRE DIARIES), Jorge Garcia (Hugo, LOST), Tina Fey (Liz, 30 ROCK), Joel McHale (Jeff, COMMUNITY) and AMERICAN IDOL’s Randy Jackson (as well as reality gadfly Kate Gosselin, whose 15 minutes is long past over) for a performance of “Born to Run.”

Fallon did a nice job keeping the show moving, even if he did rely a little too much on musical humor. The tuneful tributes to canceled series (like 24 and LOST) were clever, but I was less enamored of the audience-participation bits. Special kudos to Ricky Gervais for his hilarious segment, in which he complained about the ceremony not serving alcohol, so he doled out beers. (It was just a joke, and those waiters served non-alcoholic beer…)

My favorite wins: In addition to Lynch, I was really happy for THE GOOD WIFE’s Archie Panjabi, as she really brings to life a kick-ass character in Kalinda.

Least-favorite wins: Edie Falco in the comedy category (Since when is NURSE JACKIE a comedy?). And, as Falco herself noted, “I’m not funny.” Also, Kyra Sedgwick over Julianna Margulies smacked of a career-achievement award. And MODERN FAMILY beating GLEE just didn’t fly with me. MF’s absurdist humor strikes me as plot-driven “anything for a laugh” funny, whereas GLEE’s comedy feels more like it arises from character.

Tactically, I think it was a mistake to group the show by segments, but it did make it easier for fans to watch: saving the miniseries and movie category for the final hour was probably for the best; if it was going to be segregated, the-powers-that-be certainly didn’t want to lead with the HBO love-fest.

While it was tough to pay attention until the end, the two big categories were saved for last: MAD MEN won its third straight drama trophy (I thought last season saw a dip in quality, but it finished strongly, so that’s what voters must have remembered) and MODERN FAMILY unseated 30 ROCK. At least MF is funny, even if it’s no GLEE.

But I was quite happy with the Emmy ceremony as a whole.

Originally published on SoapOperaWeekly.com

2 thoughts on “Soap Opera Weekly: 8/30/10

  1. Any thoughts on this year’s Emmy nods? Pretty pumped about Timothy Olyphant and Justified and can’t help but root for Steve Carell for The Office. Not because he was great this year, but because he probably should have won five years ago. I frown upon career awards but in this case, I think it’d be a shame to let him go seven years with nary a winged lady for his bookshelf.

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    • Steve Carell is talented and funny and a heck of a nice guy. The couple of times I met him he was very gracious. He should take it this year.

      As usual, the lack of respect for fantasy genre shows is shocking but hardly surprising. I thought THE WALKING DEAD should have been nominated for best drama, and As for acting, THE VAMPIRE DIARIES’ Nina Dobrev performs one of the best dual-roles on TV, but she and TVD gets snubbed, just like BUFFY THE VAMPIRE SLAYER.

      And there are other shows on basic cable besides MAD MEN and BREAKING BAD. SyFy’s STARGATE UNIVERSE richly deserves its special-effects nom, but about some supporting acting nods for that ensemble?

      And I think the Reality Host category should be abolished. Plus, the category should be changed to Mostly Unscripted Series.

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