It got a little harder to root for HELLCATS this week, considering there was little actual cheerleading, and the plotting was even more unfocused than last week’s episode. I did appreciate the continued emphasis on characterization, though.
Just like those feisty kids on GLEE, the Lancer Hellcats were dismayed to discover they had to foot the bill for their own road trip, because their funding was reallocated to the ladies volleyball team. These tortured attempts to make the cheerleaders look like some kind of oppressed, underdog minority are not ringing true, and are really starting to annoy me. And is everyone on the squad a scholarship student (except bitchy Alice?) It’s like we’re supposed to feel sorry for the beautiful people, because being attractive, talented and popular is such a burden.
GLEE faced the monumental challenge of following up last year’s breakout season as the critical darling or, if you prefer, the teacher’s pet of television. So what could GLEE do you do for an encore? Why, more of the same – only different, of course! And, for the most part, the sophomore season’s debut succeeded by quickly establishing a new status quo that was actually the old status quo with a fresh coat of paint.
Fresh off losing at Regionals (McKinley High finished third out of…three schools.); the members of New Directions find themselves back for another fall semester at the bottom of the social ladder. (They are the “plankton” of the food chain, Kurt (Chris Colfer) notes, wryly. Will (Matthew Morrison) decided the answer lay in recruiting new members. Two promising newbies presented themselves: Sam Evans (newcomer Chord Overstreet) and Sunshine Corazon (pop star Charice). The problem was, Sunshine was a little too good. Rachel (Lea Michelle) feared that Sunshine might hog the spotlight from her, so Rachel set about preemptively eliminating Sunshine before she got a chance to shine.
The reboot of HAWAII FIVE-O was a triumph of form over substance. Which is not necessarily a bad think; I don’t mind a TV show set in Hawaii that looks really great. And who needs another procedural that gets bogged down in the intricacies of police procedure?
By now, I have seen so many procedurals I feel like I could not only investigate a murder, but follow it to court and prosecute it to conviction. So I really wasn’t looking forward to seeing an iconic 1970s series reworked for the meticulous modern age. And, luckily, that’s not what we got. In fact, HAWAII FIVE-O seemed remarkably uninterested in the nitty-gritty details of Steve McGarrett’s (Alex O’Loughlin) investigation into a terrorist family human-smuggling ring guy who killed his father. Or something like that.